Soundtracks Live! Announces its New Website and Services Available to Orchestras and Concert Halls Worldwide
Prolific film music company MovieScore Media announces the launch of Soundtracks Live!, a new and innovative service devoted to bringing the best of film music to concert halls and film music events all over the world.
Bennett Lincoff’s comments to the US Copyright office on a new system of music licensing
The rampaging “Dead Space” composer now gives elegantly mournful purpose to the werewolf-battling videogame knights of “The Order: 1886”
Finding the heavenly sound of immortality with “The Age of Adaline”
Exploring elegiac musical frontiers with “Desert Dancer” and “Bhopal: A Prayer for Rain”
Mark Northam looks at college film scoring programs and how realistic they are about the business
Every once in a while, some clever people come up with a solution to an issue that the DAW developers simply have not addressed
Peter Alexander reviews Vienna Symphonic Library’s New MIRx
Film music journalist Daniel Schweiger interviews composer BRIAN TYLER, who puts his most energetic musical adrenalin yet into the super-teams of AVENGERS: AGE OF ULTRON and FURIOUS 7
Ron Hess discusses how you’ll never achieve the Holy Grail of a perfect sight reading if your notation doesn’t tell each musician at a glance how it’s supposed to sound
2015 festival coverage with Best Cinematography and Directing award-winning CARTEL LAND filmmaker Matthew Heineman and his creative process with his two composers.
‘GRABBERS’ and ‘ROBOT OVERLORDS‘ are the top soundtracks to own for April, 2015
Mark Holden discusses the financial benefits to composers of joining overseas royalty societies
Dawn of the Planet of the Apes tops the August 2014 Top-20 film music radio airplay chart for the second month in a row