Soundtracks Live! Announces its New Website and Services Available to Orchestras and Concert Halls Worldwide
Prolific film music company MovieScore Media announces the launch of Soundtracks Live!, a new and innovative service devoted to bringing the best of film music to concert halls and film music events all over the world.
Bennett Lincoff’s comments to the US Copyright office on a new system of music licensing
An Australian eccentrist takes a waltzing, fish out of water approach to America’s “Slow West”
Finding the heavenly sound of immortality with “The Age of Adaline”
For a composer with increasingly epic scores, “San Andreas” is truly The Big One
Mark Northam looks at college film scoring programs and how realistic they are about the business
Every once in a while, some clever people come up with a solution to an issue that the DAW developers simply have not addressed
Peter Alexander reviews Vienna Symphonic Library’s New MIRx
Film music journalist Daniel Schweiger interviews composer Junkie XL (aka Tom Holkenborg) on his high-octane mix of cutting-edge anarchy and old-school heroism that paves the way for MAD MAX: FURY ROAD
Ron Hess discusses how you’ll never achieve the Holy Grail of a perfect sight reading if your notation doesn’t tell each musician at a glance how it’s supposed to sound
2015 festival coverage with Best Cinematography and Directing award-winning CARTEL LAND filmmaker Matthew Heineman and his creative process with his two composers.
“RETURN TO OZ” is the top soundtrack to own for May, 2015
Mark Holden discusses the financial benefits to composers of joining overseas royalty societies
Dawn of the Planet of the Apes tops the August 2014 Top-20 film music radio airplay chart for the second month in a row