Section » Music Supervision
From its first ethereal tones, Academy Award-nominated documentary filmmaker Matthew Heineman’s (Oscar-nominated CARTEL LAND) CITY OF GHOSTS music score and sound design achieves a hauntingly simultaneous balance of nearly-imperceptible presence and atmospheric poignancy
Michael Rogers covers Sundance 2017
Michael Rogers covers Randall Poster at Sundance 2016
2015 festival coverage with Best Cinematography and Directing award-winning CARTEL LAND filmmaker Matthew Heineman and his creative process with his two composers.
“The performance is fluidly dynamic, like the American Southwest thunderstorms that inspired this show, and changes each time we do it,” visibly effervescent WAY OF THE RAIN creator Sibylle Szaggars Redford expresses as she and the live show’s principal artists sweep into a reflectively passionate post-show round table. Mrs. Redford’s illuminating project description also mirrors [...]
FMM’s Michael Rogers covers the creative process with composer Harry Gregson-Williams at the 2015 Sundance Film Festival, Park City, Utah
Moderated by Doreen Ringer Ross for the 2014 Sundance Film Festival – Coverage by Michael Rogers
“How did I win?,” reflects 2014 Sundance Film Festival Documentary Audience Award-winner ALIVE INSIDE: A Story Of Music & Memory filmmaker, Michael Rossato-Bennett as we connect after the film’s post-awards ceremony victory
“Everyone’s connected but no one’s connecting,” laments UNDER THE ELECTRIC SKY’s filmmaker Dan Cutforth (PROJECT RUNWAY, KATY PERRY: PART OF ME, TOP CHEF, PROJECT GREENLIGHT, LAST COMIC STANDING).
Film Music Magazine’s Bureau Chief, Michael Rogers and videocolumnist Leslie Harlow had the honor of interviewing Sundance 2012 Documentary Premiere feature, WE STEAL SECRETS: THE STORY OF WIKILEAKS’ composer, Will Bates