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Interview with Geoff Zanelli

Captaining his own “Pirates” ship into The Devil’s Triangle for “Dead Men Tell No Tales”

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Interview with Bear McCreary

April 5, 2017

Linking indie relationship dysfunction with giant monster mashing for the music of “Colossal”

Interview with Martin Tillman

March 8, 2017

A cello-driven composer powerfully evokes the tragic reality of “Cries from Syria”

Interview with Paul Haslinger

January 18, 2017

A composer of full-throttle genre action finally goes to ask Alice for the first time with the climactic “Resident Evil: The Final Chapter”

Interview with Marcelo Zarvos

December 19, 2016

Musically finding the right fit through August Wilson’s words as Denzel Washington stages “Fences” for the big screen

Interview with Johan Johannson

November 4, 2016

Composing in alien tongues for “Arrival”

Interview with Simon Franglen

September 14, 2016

Teaming with, then resurrecting James Horner for a final, furious round-up of western heroism to co-score “The Magnificent Seven”

Interview with Jay Wadley

July 26, 2016

Hearing a beautifully tragic feeling of “Indignation”

Interview with Nathan Whitehead

June 30, 2016

A composer who continues to vote for The Purge on “Election Night”

Interview with Clint Mansell

May 3, 2016

The composer of “Pi,” “Requiem for a Dream” and “Black Swan” makes his most melodically enticing descent into madness with “High-Rise”