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Interview with Mark Adler

Musically documenting the doubting apocalypse of “Merchants’” comedic circus of lies

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Interview with Alex Ebert

December 30, 2014

An alternative composer conveys the trance of ambition that marks “A Most Violent Year”

Interview with Johann Johannsson

November 4, 2014

An Icelandic experimentalist finds a film music “Theory of Everything.”

Interview with Gustavo Dudamel

October 1, 2014

A conductor famed for his passion now creates his own equally dramatic score with the nationalistic charge of “The Liberator”

Interview with Brian Tyler

August 6, 2014

One of Hollywood’s hardest working composers blasts away with the August triple threat of “Teenage Mutant Ninja Turtles,” “The Expendables 3” and “Into the Storm”

Interview with Joseph Trapanese

June 24, 2014

An “alt. sci-fi” composer phones found footage home with “Earth to Echo”

Interview with Joel McNeely

May 21, 2014

The composer resurrects his major studio career with “A Million Ways to Die in the West” as he goes gunning with Seth MacFarlane to bring back a classic Hollywood scoring sound

Interview with Dustin O’Halloran

April 1, 2014

A composer who sees in colors hears a silently anguished musical relationship of “Breathe In”

Interview with Edwin Wendler

February 10, 2014

A composer with a very particular set of skills helps John Ottman bring “Non-Stop” in for a safe score landing

Interview with Andrew Feltenstein and John Nau

January 21, 2014

A comedy scoring team is funny without dying when it comes to the songs spoofs and straight-faced scoring of “Anchorman 2” and the Funny or Die gang