Section » Scoring Sessions

Interview with Jeff Russo

Scoring intimately on his Star Trek voyages by going back to The Next Generation’s “Picard”

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Interview with Kathryn Bostic and Joel P. West

December 23, 2019

Creating scores that speak for crime and the ultimate punishment with “Clemency” and “Just Mercy”

Interview with The Newton Brothers

November 8, 2019

With music most often forged in fear, Taylor Newton Stewart and Andy Grush dare to venture into the Overlook Hotel with old musical ghosts, and a terrifying sensibility all their own for “Doctor Sleep”

Interview with Gabriel Yared

September 26, 2019

A composer renowned for tragic romance now sings the blues with “Judy”

Interview with Graham Reynolds and Richard Linklater

August 14, 2019

A quirky composer-director collaboration finds a new direction at the bottom of the world by asking, “Where’d You Go Bernadette?”

Interview with Sean Callery

June 14, 2019

A composer who’s been on the Emmy-winning case of Netflix’s “Jessica Jones” now plays the P.I.’s final season

Interview with Timothy Williams

May 23, 2019

Sounding Superbad with a sinister twist on The Boy of Steel for “Brightburn”

Interview with Michael Abels

March 25, 2019

“Get Out’s” composer takes a new musical trip downwards for the visceral terror and metaphoric fear of Jordan Peele’s US

Interview with Joe Kraemer

February 21, 2019

Giving musical truth to a not-so tall tale with “The Man Who Killed Hitler and then the Bigfoot”

Interview with Mychael Danna

December 19, 2018

Winning the case for a cinematic Ruth Bader Ginsburg with “On the Basis of Sex”